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CPI2021 Indonesia

2021
  • CPI Indonesia Online Exhibition
  • CPI Indonesia Online Exhibition
  • CPI Indonesia Online Exhibition
  • CPI Indonesia Course Plan
  • CPI Indonesia Course Plan
  • CPI Indonesia Course Plan
  • CPI Indonesia zoom class
  • CPI Indonesia zoom class
  • CPI Indonesia zoom class
  • CPI Indonesia Team

https://cpi.pointtoline.com (Archive site)

CPI2021(Cultural Partnership Initiative)은 대한민국 문화체육관광부와 한국국제문화교류재단(KOFICE)이 공동으로 주관하는 문화동반자사업 입니다. 문화동반자 사업은 시각예술 분야의 인도네시아 전문가를 대상으로 파주타이포그라피교육협동조합(PaTI)과 인도네시아 현지 협력기관인 MBloc Academy가 함께 기획 및 진행하였습니다.

“지속가능한 도시를 위한 공감적 디자인”이라는 주제를 다양한 디자인 배경을 가진 인도네시아 연수생 10명이 참여하여 3개월(2021년 11월-2022년 1월) 동안 건축, 도시디자인, 그래픽디자인, 미술 및 공예, 문화 및 지역 유산 관리, 공공 정책과 같은 다양한 주제의 강의와 함께 디자인사고 및 디자인혁신 과정을 기반으로 지역문화자원을 활용한 예술사업기획을 제안하는 과정을 마쳤습니다.

이 전시는 연수생들이 만든 3개의 사업제안(Action Plan),(A) 자카르타 쓰래기매립지’Bantar Gebang’ 거주민의 환경개선을 위한 워크숍, (B) 크리에이티브 산업 근로자의 정신건강 증진 위한 커뮤니티, (C) 자카르타 주거지와 직장 사이 작은 공간을 활용한 도시의 휴식공간을 소개하고 맵핑워크숍(Mapping Workshop)에서 만든 결과물을 중심으로 3개월동간의 과정을 기록 및 전시합니다.

사업책임 이재옥 사업관리 조용진 코디네이터 정인지 협력기관책임 Wendi Putranto 협력코디네이터 Gilang Widya Kartika

CPI (Cultural Partnership Initiative) 2021 is an international cultural cooperative initiated by the Ministry of Culture, Sports, and Tourism of the Republic of Korea and the Korean Foundation for International Culture Exchange (KOFICE), presenting series of training program addressed for professionals in creative industry and guided by collaborative mentorship of Paju Typography Institute (PaTI, South Korea) and M Bloc Academy (Indonesia).

Conveying the theme of “Empathic Design for Sustainable City”, ten creative professionals with diverse design backgrounds were challenged to address issues in urban context using empathic and sustainable approach. In nearly 3 months (November 2021-January 2022), this training has covered multidisciplinary topics such as architecture, urban design, graphic design, product design, fine arts & crafts, applied technology, culture & local heritage management, and public policy.

Participants then implemented their knowledge into critical issues in Indonesia such as vernacularity of cities, welfare of marginalized settlements, mental health of urban population, habitable urban, development of local artisan potential, and many more. This exhibition is showcasing outputs of this training with an intention of sharing conversation and to encourage empathic & sustainable design practice in the public realm.

Director Lee Jaeok Manager Joe Yongjin Coordinator Chung Ingee Partner Director Wendi Putranto Partner Coordinator Gilang Widya Kartika

Bresenham’s Line

2021

Bresenham’s line algorithm is a line drawing algorithm that determines the points of an n-dimensional raster that should be selected in order to form a close approximation to a straight line between two points. A continuous line which is drawn by algorithm is a set of disconected pixels on the screen. If the resolution of the screen is low, the line is broken like a staircase, and as the resolution increases, the size of pixels decreases and the line is reproduced smoothly. The artist is interested in how an object changes according to resolution. On a flat plane with multiple resolutions, lines appear as points, lines, and planes in various shapes. The exhibition is composed of a meditational place to bring the free change of perspective of the digital environment to the material world and to see the objects existing in various forms behind the ultra-high resolution eye view.

Bresenham’s line (2021)
Solo exhibition at Art space Shift, Seoul (KR)

http://exhibition.pointtoline.com

data abstraction

2020

data abstraction (2019)
CNC Drawing and screenprint on paper (screenprinted at Frans Masereel Centrum)
500mm by 500mm

Frans Maselle Centrum

2019

Research residence at Frans Maselle centrum in 2019. During the program, I worked on <Data Abstraction> with an interest in the expression of low-depth bitmap images. A bunch of leaves reflected in the sun with a continuous colour scale, but I say the colour is green. The word is not enough to refer to the scene as I saw. I feel frustrated to define the colour between leaf and leaves. Eventually, I cannot find a clear word, and the colour and shape entangled and remain as an abstract image.

frans maselle centrum (2019)
screen print (printed at Frans Masereel Centrum)
1000mm X 700mm

https://fransmasereelcentrum.be/

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